microphones in the trees: cults percussion ensemble
Showing posts with label cults percussion ensemble. Show all posts
Showing posts with label cults percussion ensemble. Show all posts

Friday, December 21, 2012

rod hamilton


"my name is Rod Hamilton and I create xylophone music."

qué felicidad abrir tu correo y encontrarte con la música de Rod Hamilton a ritmo de xilófono y marimbas saltarinas, uno de esos discos que serían una anomalía en cualquier época que aparecieran pero que no puedo evitar relacionar con los setenta, con la navidad y con algo tan especial como el disco de Cults Percussion Ensemble. demasiadas cosas bonitas en apenas veinte minutos: LeBeha Men with Stephen Molyneux, Monopoly Child Star Searchers ('ruca'!) y un torrente de sonidos bañados de exotismo, con olor a intuición, a fantasía y descubrimiento. viendo el blog de Player Press se confirman las buenas vibraciones con un recopilatorio que incluye, entre otras preciosidades, una canción de Inoyama Land.


Thursday, November 01, 2012

cults percussion ensemble


"an oddly beautiful compendium of tuned percussion music played by an ensemble of Aberdeenshire school children. all twelve tracks were recorded and issued privately in 1979, with financial support by Grampian Regional Council and Aberdeen Educational Trust. the recording itself is very peculiar, combining child like exotic percussion flourishes and eerie, swirling sound tones, all beautifully played with a melancholic innocence only youth can muster. years ago, when I first heard this record, I instantly thought of Jonny Trunk. It's like the perfect Trunk record and it seems fitting he's decided to reissue it. what's not to love, there's spectral vibraphonic glissando, impish flourishes played on glockenspiels, proto hip hop drum breaks played on timpani drums and fourteen year old musicians conjuring all sorts of weird little shimmering sound shapes of sonic wonder on every composition. It features a fourteen year old Dame Evelyn Glennie and a rather fine beige sleeve, which according to the sleeve notes, Jonny Trunk decided was too beige for a contemporary audience. I guess he's right. Head over to Trunk HQ to find out a little more." a sound awareness

sincronicidad