microphones in the trees: virtual dream plaza
Showing posts with label virtual dream plaza. Show all posts
Showing posts with label virtual dream plaza. Show all posts

Thursday, January 16, 2020

2019 mixes (III): Daniel Guillén



The next part of our series of mixes of 2019's music is delivered by Spanish ambient composer Daniel Guillén, known for his well-received cassette releases as Lunaria and his own name. Daniel is also part of Microphones family and passionate listener and collector of new age and ambient genres, both past and modern. Daniel's selection is full of warmest droning tapestries and coziest contemplative soundscapes, along with nature sounds and, maybe even eco-futuristic visions. 



Tracklist:

01 Lửa - Tôi thấy ~ CHO OYU records
02 Sarah Louise - Daybreak ~ Thrill Jockey
03 Warmth - Wildlife ~ ARCHIVES
04 Tim Six - Crystal Travelling  ~ Virtual Dream Plaza
05 Matt Lajoie - The Center and the Fringe ~ Flower Room
06 Inner Travels - Forest ~ Inner Islands
07 Robert Rich - The Abiding Wheel ~ Self-released
08 Hexvessel - Visions of A.O.S. ~ Century Media 
09 Prana Crafter & Tarotplane - Jagged Mountain Melts at Dawn, Pt.1 ~ Beyond Beyond is Beyond 
10 Skyminds - Morning Way ~ auasca
11 Rem Koral - Purity of Perception ~ ΠΑΝΘΕΟΝ
12 Thom Brennan - Soundgardens Part 4 ~ TMB Soundworks 
13 Max Corbacho - Echo of Longing ~ Silentsun
14 Logic Moon - I See Planets ~ Whitelabrecs
15 Anthéne - Wind Catcher ~ Home Normal
16 猫 シ Corp. & t e l e p a t h - Into the Dream ~ Hiraeth Records




~~~

Saturday, July 27, 2019

building a better world




The long-awaited full-length album from two vaporwave legends solemnly opens Hiraeth Records, a new label created to commemorate 猫 シ Corp.'s transition to the brave new world of the original, sample-free composition, following its colleagues in the genre. With its title, album underlines the beginning of a new era, and the optimistic pixel art on the cover only reinforces the anticipation that a new page is about to turn over not only in the history of the genre – the tendency to switch to original compositions has been around for some time already – but in the world in general, IRL. After the crisis of 1999/2000 and the shock of 9/11; after the ironic, but still sometimes disquieting expectations of 2012, when the Mayan calendar promised us, like dinosaurs, if not the extinction then the evolutionary leap in an incomprehensible direction – something good and life-affirming must absolutely happen. Centuries break has always been rich with upheavals, but in fact, the whole XX century was like that. Now it is already in the past, rethought and chewed on by mass culture, sampled and passed through nostalgia filters, collapsed into a kaleidoscope of endless post-modern recursions, vaporwaved... It would seem that here it is, the future, unnoticeably becoming casual but where is it, the notorious Age of Aquarius, while our world is only gaining speed in an incomprehensible direction?

There's no big secret, however, and here you can safely quote one old book, saying that 'he who has ears, let him hear.' If the XXI century taught us anything is the value ​​of attention. Everything happening around, an endless stream of notifications, news, scandals, an endless stream of changing trends and a cacophony of opinions on any subject – all this requires our attention, feeds on it, absorbs it as raw material, in order to spew it later as goods, services, offers... Just to let them fight for our attention again. Like a virus that has practically nothing of its own, except for the gene information and uses others to live and spread, all of this is happening only because we are doing it all ourselves. Where attention is, there's energy, and the management of this flow is the real magic of our time. Black or white is no longer important, what kind of dualities can there be in the post-modern world? But the formula is simple and as old as the world itself. While our attention is occupied by commotions, they occur. Yet it takes not that much to turn our attention away for a while, on to something else, different, usually silent and overlooked – and everything can happen. That very thing so long-awaited. Maybe something that was really dreamed of, before “selling a dream” became a daily routine for all of us.


Music is a special kind of magic. It also works with attention. Directing it into the body, it encourages us to dance. Directing in emotions – to experience them, to remember similar ones. When the magic of music comes to the imagination – we begin to feel free, daydreaming. Seeing an image in which all the fuss of the past disappears somewhere far behind... Where we see the future which is not falling along the curve back into the past but flickers with bright lights of something else, yet unseen. Something even impossible to predict or describe in plain words. Rather, the feeling when intuition quietly hints that everything is going to be better. And even if it is not clear how. After all, you can imagine, direct your attention into this.

Which exactly 猫 シ Corp. and t e l e p a t h are doing on this album, carefully taking our attention by means of gentle ambient and nature sounds, guardedly directing it to the dream-like visions of the future, where serenity is normal not only in social life but on the planet as a whole. Tropical rain and the almost perceptible smell of lush vegetation coexists with shopping areas and airports (perhaps spaceports already?), colors of nature are emphasized by the smoothness of architectural forms, and the air is filled with life-giving oxygen. The music seems to be floating from one skyscraper to another, spreading over parks and streets, invisibly creating an additional dimension filled with pure energy, freely available for everyone. Like air and water, music in this world is just as life-giving, refreshing and necessary. As the mysterious still not discovered aether, it ties this vision into a single whole.

Imagining how our world can be we are bringing it closer, and let skepticism (which is raising his head immediately) rest a bit. It is still useful to us, it's a good tool, but now it is time to let go of everything that can restrain our ability to dream. After all, everyone has it, since earliest childhood. Of course, how many times have we been told that dreaming is naive? Unreal? Ineffective? How often we were afraid to give vent to ourselves, frightened by difficulties and simply saying to ourselves 'this cannot be.' Protective reactions are important too, of course. But if we want changes, if we want to breathe deeply and live our lives, then it’s time to learn how to dream properly. Ok,  what to do then? The catch is that we already have too much of everything to do. All we need is to listen. To be able to stop and look around. Gaze the clouds. To remember our dreams. Hear the trees grow. Watch sunrises and sunsets, to walk under the moon... To feel, as this magical dimension of music spreads through space, filling it with a new, exciting feeling of anticipation.



Thursday, December 06, 2018

virtual dream plaza / useless / saturn's daughter




When vaporwave legend t e l e p a t h テレパシー能力者 declared that he's opening a cassette label, people were sure there will be something vaporwave related. Since Mr. Telepath himself is responsible for introducing quite a few vaporwave subgenres, many were convinced that we about to experience some huge doses of slushwave, hypnagogia, Japanese smooth jazz edits or, most certainly, some ambient vaporwave blissfulness mastered by Telepath in his Virtual Dream Plaza project - especially since this name was borrowed for the label. The latter turned out to be the truth, but to even bigger and more pleasant degree (at least for me personally) - the newborn label started to release not just vaporambient (which usually is just way too much slowed down version of classic vaporwave), but some real quality ambient and drone music made without sampling and stealing. Which seems to be the next (and well-expected) step in the development of vaporwave scene.

Looks like history made a circle once again, but that doesn't really matter here, especially when you tune in to these drones. Drone music has always been a point of return to any "musical research projects" (say experimental genres) and took many forms even throughout the years this blog exists. Once an artist starts to look deeper and gravitates to the source, there will be drone, an endless field of enormous potentials. Vaporwave or not, millennials, new agers, hippies or scientists - there's no significant difference between the drones, say, Eliane Radigue recorded in the '70s and Telepath did in '10s. Of course, we can argue the sound, instrumental approach, the context and so on but that would lead us to nonsensical arguments like "it used to be better before" or even worse elitism. What is crucial here is the intention, the mindset which brings the artist to taking long duration excursions inside the realm of a single tone and which mindset it brings to us, the listeners.  

Translating his Virtual Dream Plaza moniker to Japanese and joining the tape with Useless with Vaperror's Jeff Cardinal behind it, this tape presents us a fresh vision of the drone music. Technically it may sound pretty much same as it was back in the '80s when Robert Rich recorded Trances/Drones or many other modern drone-ambient projects, yet intuitively it brings an important message from the "vaporwave" (read postmodernist) world. The future is now. It always was. But right here and right now it is looking at us through the ocean of possibilities. We can see its eyes. We can play as many games as we want, we can do whatever we want with the planet and our lives... but in the eternity of the parallel universes, there always will be the future where the harmony was achieved. And it guides us through the peripeteia of existence giving us hints to its omnipresence and inevitability. One of those hints is the drone music for sure. And it guides us through the eternity of multiverse. 





When the drone music hints not just to eternity and transcendence but also weaves its tapestries back down to the Earth, usually term New Age comes into play, implying certain use of the music. Though it always was present through music history, the idea of Sound being able to heal or to help with meditation or anything still faces a lot of misreadings. Of course, there are artists which are okay with the exploitative element in this equation, while the others insist on the idea of music being self-sufficient. Yet, quite often we can see the music being made for certain purposes which may affect the perception of it, giving the listener a one-dimensional experience. Certainly, no one takes seriously some "Music for Spa and Meditation" these days and if you are familiar with vaporwave agenda, you'll probably see such title as ironic and maybe even buy it to listen to it through that irony. But what are you going to do if you'll really enjoy it? It seems that somehow irony became a necessary tool in our world of multiplying meanings and it infects the music to the degree when one can say "in the world where vaporwave happened - everything is vaporwave now". Nothing is taken as it is, statements are vague. Saying that music is self-sufficient in such setting is nonsense. All is vapor, all is ambient, just a background for some other things which are backgrounds too. No center, endless drift through sensations... 

That's why the words like healing or transcendence can be just vague labels to tag this music somehow, and that's why the initial New Age idea of music being a form of spiritual practice meets the irony today and dissipates in the air. Without the irony, we will have to believe that some of the backgrounds are actually foundations and some of the words are actually mean what they supposed to. And having that coordinate system set, we'll be able to transcend somewhere else. Endless drift stops and we start to see things clear, transparent. So if the irony is kind of glasses to makes things vague, the transcendence is taking them off. Drone music works this way, and that is healing. When you drift through the endless weavings of Saturn's Daughter's drones, there always a possibility to slip through them to a completely different level. Every tiny sound which accompanies these drones can be an entry point for you. At this level it doesn't really matter how long these drones are and what happens around them - they are built so exquisitely, that putting them on repeat one can easily transcend the sense of time and spend a whole day in this state. And letting yourself do that would be the best gift you can give yourself. Stopping the drift of emotions, thoughts, and meanings. Letting all things become transparent. Call it meditation, healing, transcendence, magic... but it feels that for our mind it exactly the same as drone to music. The point of eternal return and eternal stay. The possibility of everything and at the same time - nothing. 

It is really inspiring to see such magically powerful sounds released on a newborn label from vaporwave world. It really puts some bigger perspective on this scene which is often referred to as a joke. Yes, experimental cassette scene made a full circle once again but a closer look reveals a spiral. And it goes upwards with some beautifully ringing overtones.