microphones in the trees: bathetic
Showing posts with label bathetic. Show all posts
Showing posts with label bathetic. Show all posts

Tuesday, May 13, 2014

dinasty at ghost town


"this 11 artist tape batch has more than one red thread running through it ~ the magnificent art by Simon Fowler (who crafted the cover Sanguine Futures by High aura’d, among many others) is echoed by the sense of awakening and mantra throughout the varied styles of the works. all tapes are pro-dubbed on Type II Chrome tape, imprinted on both sides, and inserted with high quality 4-panel J-Cards." bathetic records

panabrite ~ tracer ep (bathetic, 2014)

"kinetic modular pop"  

"Tracer EP pulls together brief exercises in percussive modular synthesizer experiments and minimal keyboard workouts, a sort of hazy approximation of discarded documentary score and blown-out basement synth framed in a peculiar narrative sensibility."

listen ~ buy 
 

“electroacoustic, liberated from expected choice, emboldened by whim-salmgundi



 “preordained ruination, doldrums amplified & improvised, hung with care”



“sun tea, bleached Hired Hand, windup music box”



John Muir presents blackened ambient


m geddes gengras ~ 8.2.13 (bathetic, 2014)

 “convergent tectonics, building toward volcanic winter”

listen ~ buy 

lee noble ~ forming (bathetic, 2014)

“a yearning, plead with an earnest seduction” 


“an ascendance to true contemplation, the porch parishioners”



“will o’ the wisp, barreleye gazing upward toward the sea surface”


zac nelson ~ vulgar divination (bathetic, 2014)

 “a secular invocation, a reflected invitation to delight”

 listen ~ buy 
  

“a lonely collage meat for late night crawling. lauding darkness, but hopeful for brighter days.”


la máxima alegría sería tener todas estas cintas juntas, de golpe, colocadas pegaditas en la estantería. sólo he podido escuchar entera la de Panabrite ('pop modular cinético' tocado sobre collages sonoros saltarines, efervescentes, movedizos, library, la más querida y la que me hace especial ilusión) pero los samples de High Aura'd, Padang Food Tigers, Scott Tuma y Aquarelle son una preciosidad. aunque todos lo son, de la pe a la pa, sin excepción, porque el espíritu de Bruce Langhorne revolotea sobre casi todos ellos. coherencia, belleza, buen gusto... y Scott Tuma, que por mucho que lo recomiende nunca sería suficiente. de cuando las portadas, todas ilustradas por Simon Fowler, acompañan a la música.


Tuesday, May 01, 2012

padang food tigers


"warm, embracing, nostalgic, emotive. a few words to describe the indefinable, thrown into the wind to pin the immersive atmospheres located within the wax of Padang Food Tigers' (ex-drone folk heroes, Rameses III) new album, Ready Country Nimbus. comparable to feathers floating in the breeze, this London-based duo (Stephen Lewis and Spencer Grady) make their gentle passage via sublime vignettes to set up residence in pastures new. theirs is the sound of dirt and cobwebs being swept from the corners of childhood memories. the world weeps tears of knowledge, comfort, concentration, enlightenment, while handing flowers to a parade of beautiful women.

Ready Country Nimbus is an emotional sepia-tinged blend of tones, gospel, and spirit. it's more than music, it's a swelling presence. it’s inflated poetry, bent and focused through the necks of guitars, banjos and nature. It's kind of holy. for fans of: Scott Tuma, The Hired Hand soundtrack, Derek Bailey, Loren Connors, Tetuzi Akiyama." bathetic

estoy levitando de felicidad...si bruce langhorne no hubiese compuesto the hired hand, creo que la música de padang food tigers sería perfecta como banda sonora imaginaria de la preciosa película de peter fonda, como 'you can never go fast enough' para 'two-lane blacktop', o 'tropical malady' de félicia atkinson. qué pizpireta la caracola cuando hace casi dos años nos recomendaba 'go down, moses' en luzzzalig. especialmente dedicado para los que en su próxima vidosa quieren ser un banjo

~ listen ~
(download their previous albums go down, moses & born music)

Sunday, July 24, 2011

bitchin' bajas / faceplant

"Bitchin Bajas is the solo synthscapes of one Cooper Crain, maybe better known as a member of modern krautrock masters Cave. With Bitchin Bajas, Crain creates worlds of sound, crafted from analog synthesizer and organ tones, not entirely too far removed from certain elements of Harmonia, Edgar Froese, or Cluster. Crain is definitely bringing a vintage sound to the table here. Clean, distinct arppegiated tones floating and bouncing, drifting and forming zones of their own. This is real deal psychadelia at its finest.

Faceplant is the solo work of one Aaron Coyes, of Peaking Lights and Rahdunes fame. Peaking Lights have made a sturdy name for themselves playing homemade synth-driven psychedelic, dub-infused drone-pop. With Faceplant, described as Coyes' ''solo modular hessian noise trance project,'' he is mining a somewhat similar terrain. Driving percussive beats are slathered in dubby echo, while sweet synthesizers hover and chime; it's definitely a groovy affair..." bathetic

Sunday, May 08, 2011

high wolf

"This record is like a mental postcard from Varanasi (India). It’s probably my favorite place in the whole world, being there is like being on lsd. And if you dive in Ganga water - the purest water on earth according to the hindus, the most polluted and unhealthy according to science-, hold your breath and open your ears, this music is what you’ll hear." high wolf

foto: via onyx earth

~~libera tu campo de energía~~

Saturday, April 16, 2011

dead drums

"A slow motion trip into a flooded city for fun. Extended stay in the bubbles, the surges of white wash, the drowning neon gashes. We wanted to believe there would always be this white light. It faded and got more beautiful." bathetic records / dead drums