microphones in the trees: lee chang ming
Showing posts with label lee chang ming. Show all posts
Showing posts with label lee chang ming. Show all posts

Friday, June 28, 2013

deep magic


"the solo project for current Sun Araw live band member Alex Gray, Deep Magic’s work has tended towards a meditative ambient realm, crafting a cosmic sound as a sort of calm and organic grandeur that recalls Popol Vuh’. indeed like Popol Vuh, pursuit of a kind of spiritual grace has proven to be the measure at the heart of Deep Magic. Reflections of Most Forgotten Love finds a new urgency, an ever-shifting puzzle of sound breathing vital new life into Gray’s lyrical vision. dynamic and unrelenting yet somehow beautifully spacious and patient in its unfolding, this epic work thrives on equal parts pulse and poise, an essence held within a thrilling multiplicity of ideas. skittish techno, rolling pianos, warm pedal steel, foggy, dub drifts and microscopic sonics play out a hypnotic movement of moods with magnetic compulsion. throughout its stirring, blissful way, intimacy is its keynote. as the title suggests, this is an album of emotively raw presence with a singular take on solitude as a many splendoured thing." preservation

"...an ethereal ride into experimentation and meditative tones. Brighter Days sets a tone for a very cosmic album where abstraction of majestic key tones drip into liquid form over field recordings, transfixing synth and other odd sources of sound. It’s a slow evolving voyage that is minimally designed but has a wealth of sonic color pulsing in every direction and in every measure. Music this delicate yet deep in resonance and texture grabs us on first listen and puts us in a really relaxed mood." deep tapes

only you, only me

foto: lee chang ming

Friday, March 16, 2012

hanetration


"Hanetration describes his music as “ambient soundscapes, field recordings, woozy atmospherics and glitchy sound collages, music for headphones” and I would pretty much go along with that, but I would also add that the ep is compellingly different, sonically inventive throughout and one of the most promising debuts out there in the ambient/experimental field at the moment.



Rex immediately grabs your attention with its frenzied babbling vocal layered with fluttering flute tones and a quirky beat underlying a mumbling voice buried in hazy delirium. Piano notes meander above a low static layer here and there before the rhythm picks up again to fade out on that fevered vocal line, a superb track! Alarm builds slowly with piano over dense layers of velvet drone into a mournful death march parade. with a melancholic air, Rufus includes some wonderfully bowed psaltery-like sounds which stretch out over a steampunk mechanical rhythm full of hiss and steam. Final track Wreck has a delightfully twisted vocal like a lost soul wailing in a fog shrouded limbo with a slow pulse beneath supported by an insistent pickup glitch." savaran music

hablando de harmoniums, para muestra un botón: hanetration, pero sobre todo una canción y al principio, 'rex', que me ha hecho querer escuchar de nuevo a town and country y bird show. otra de esas agradables sorpresas que de vez en cuando aparecen en nuestro correo