microphones in the trees: tara jane o' neil
Showing posts with label tara jane o' neil. Show all posts
Showing posts with label tara jane o' neil. Show all posts

Thursday, August 03, 2006

tara jane o' neil

no se me ocurre nada que no sea lo que dije hace unos meses acerca de A Raveling: otro disco perfecto para quedarse dormida plácidamente mientras lo escuchas. hipnótico, relajante... plácido como una puesta de sol, como la brisa que entra ahora mismo por la ventana. como the letting go de Bonnie Prince Billy, o Meadow de Richard Buckner, o the year of the leopard de James Yorkston. la portada, la mar bonita de Tara Jane...casi, y pintada por ella

Blue Light Room

Wednesday, May 03, 2006

tara jane o'neil

precioso ep de cuatro temas para acuarela, el disco perfecto para quedarse dormida plácidamente mientras lo escuchas. tara jane dibuja, pinta, hace música, delira, fascina e hipnotiza. rodan, the sonora pine, ida, retsin, naysayer... leyenda viviente y artista de culto, todo lo que hace...lo hace bien.
all mine eyes (sample)
en su página de myspace podéis escuchar pretty d de a raveling

Monday, November 28, 2005

bones

"...Bones is a collection featuring new material from Tara Jane O'Neil, often at her most stripped back and full of her raw, alluring essence. Her delicate, vivid acoustic guitar playing is a feature of tracks such as The Poisoned Mine and Without Push, her subdued, enigmatic vocals floating over the top in airy layers of guitar, strings and piano. Other tracks showcase new directions – her burgeoning interest in electronica to allow for new shapes and rhythms in her songs (the beat-laden, trippy melodics of Enter This House and her reworking of an earlier track, Bullhorn Moon) and found sounds that she turns into hypnotic instrumentals. Bones is rounded off with a few rarities, including two tracks from a 2003 minor-release 7-inch single and her sublime acoustic reading of High Wire, one of In The Sun Lines’ best tracks.
Bones is another beautiful step for Tara Jane O'Neil in her growing stature as a truly unique performer, out in a class of her own." preservation