microphones in the trees: greg malcolm
Showing posts with label greg malcolm. Show all posts
Showing posts with label greg malcolm. Show all posts

Tuesday, December 25, 2007

john fahey

v/a - the great koonaklaster speaks: A Jonh Fahey Celebration (table of the elements, 2007)

"A collusion of folk, blues, ethnic and modern classical methods, Fahey's music suggests both the trikster and the shaman, and has attracted a cult of musician followers over the years, ranging from the ridiculous to the sublime. His unsolved disappearance has inspired another cult that worships Count Saint Germain, a Rosicrucian adept who is said to have never died and assumed various identities over the centuries. Disciples of this sect, heard on this record, believe Fahey, "The Great Koonaklaster," to be the most recent incarnation of Saint Germain. They view Fahey's music as a synthesis of Saint Germain's abilities as a classical composer and skills as an alchemist, and have absorbed his guitar style in order to pay homage to him. There is much to be gleaned from the Kloonaklasterians' rites contained within; whether or not you choose to accept this "Inmortal Motherf#cker of the 20th century" as Saint Germain is up to you"

Jack Rose - since I've been a Man Full Grown
Greg Malcolm - Spanish Flang Dang
Ben Vida - Exorcise / Intone
Sir Richard Bishop - Hood River Lap Dance
Michael Hurley - My Babe, My Babe
No Neck Blues Band w/ John Fahey and Coach Fingers - Overcome
Lichens - Escapisms in a Comedic Forum
Badgerlore - Red Apple
R. Keenan Lawler - I Used To Strive For A Tree Now I Thrive On A Mountain
Pumice - Ceremonial Knives
David Daniell - Crossing the Susquehanna River Bridge

Monday, May 29, 2006

greg malcolm

el nuevo disco de Greg Malcolm, que a punto estaba de convertirse en el más esperado del año, consigue emocionarme desde la primera hasta la última canción. Hug, un sólido y emotivo despliegue de tres guitarras tocadas simultaneamente y de forma casi mágica en directo por Malcolm, se sale un poco de la órbita de Swimming on it y se acerca al maravilloso Homesick for Nowhere. Fahey, Mazzacane/Langille y una versión, como siempre totalmente transformada, de Steve Lacy. cascabeles, tensión, emoción y cascadas en The Bells, notas cristalinas y breves en Glow, procesiones de guitarras que se confunden con percusiones balinesas en Ghost from the Past...y una pasión infinita por el riesgo en los seis minutos y medio de Hung, un tema tan lleno de matices que no quieres que se acabe nunca.
foto: somirasao

Thursday, January 05, 2006

greg malcolm


(All tracks were recorded live with no overdubs or pre-recorded tapes. The running order of the tracks is North to South)


1. Lonely Woman (Ornette Coleman excerpt)
Equipment: floor guitar, tambourine, slide, ebow drone guitar, amplified acoustic guitar. Recorded live at Beautiful Music – Auckland.
2. Homesick for Nowhere (based on traditional klezmer tune)
Equipment: ebow on whammy bar floor guitar, amplified acoustic guitar. Recorded live at Beautiful Music – Auckland.
3. Depresso Guitar (based on Islamic folk tune)
Equipment: amplified lap top acoustic guitar, Ebow, slide and mini fan. Recorded live at Beautiful Music – Auckland
4. Chairman Mao (Charlie Haden)
Equipment: percussion – floor guitar and tambourine, mini fan drone guitar through distortion, amplified acoustic. Recorded live at Space Gallery – Wellington
5. Blues for Aida (Steve Lacy)
Equipment: amplified acoustic and ebow, nervous tapping on the floor guitar. Recorded live at Robert McDougall Gallery – Christchurch
6. Strawberry Fields (Lennon-McCartney)
Equipment: Acoustic guitar. Vocals and percussion - Jenny Ward. Recorded live at Robert McDougall Gallery – Christchurch
7. Oderbruch (Konrad Bauer)
Equipment: electric guitar and volume pedal, ebow drone guitar. Vocals: Jenny Ward. Recorded live at Robert McDougall Gallery – Christchurch
8. Incident at Owl Creek (based on Islamic tune)
Equipment: adapted electric, whammy floor guitar through distortion. Recorded at home – Sumner
9. What is the Sound of Two-handed Tapping? (based on Japanese folk tune)
Equipment: adapted electric guitar, slide and ebow. Recorded at home – Sumner
10. Spatula Boy ( based on Japanese folk tune)

Equipment: adapted electric guitar, spatula, violin bow, slide, ebow. Recorded at home – Sumner

más: Greg Malcolm