microphones in the trees: sounds of the dawn
Showing posts with label sounds of the dawn. Show all posts
Showing posts with label sounds of the dawn. Show all posts

Wednesday, March 27, 2024

sound mirrors

miroirs sonores ~ voyage au coeur de la matière (1988)

first time i got familiar with this album was through incomparably amazing Sounds of the Dawn who has been a huge source of inspiration since their blogspot times. SotD has a CD version though and Discogs haven't had an entry for cassette release, so i was sure it was CD only ~ until suddenly stumbled on this tape while digging private announces. so here's the cassette rip as well, for the sake of archiving this unique work. "miroirs sonores" is a name of a specific sound sculpture/instrument made by Bernard & François Baschet ~ french brothers, who were creating some unique sound sculptures their whole life. their own recordings date far back to 1965, when they released a documentation of the experiments with glass and metal sound objects as Structures For Sound 10" vinyl. recently their work got a renewed interest with a double LP release on the parisian Transversales Disques label, probably in the raise of interest to another renown sound sculptures creator Harry Bertoia. 

this specific tape though involves other people playing the Baschet's "sound mirrors" ~ Olivier Milchberg, his father Jorge Milchberg and Rob Yaffe ~ all of them being participants of Los Incas band, who you may know as the ones recording "El Condor Pasa" song with Simon & Garfunkel. so they come from a bit different background, playing mostly folk music through their careers and yet, they managed to create deeply meditative recording for this project ~ it's as serene and slowly paced, as Himalayan Bells of Karma Moffet or numerous Klaus Wiese singing bowls albums ~ vibrational music with a lot of air in between resonating wellsprings of sound.  

listen: cassette rip ~ cd rip

Saturday, August 04, 2018

rod hamilton & tiffany seal ~ enchanted forest




Looks like we covered almost every release made by this magical Baltimore duo except the previous tape on famous Sound of the Dawn which (we believe) doesn't require much presentation. Yet, the new work by Hamilton and Seal is something you truly need in your collection, especially if you're a fan of arpeggiated synth magic enforced by xylophones and cassette lo-fi goodness. It's actually a bit of a miracle that such music exists in 2018 because it sounds like it was excavated from some 70s archive of super-limited-private-press new age jams inspired by Terry Riley and tropical expeditions of Jacques-Yves Cousteau. Yet this album isn't really about relaxation or meditation, but rather adventurous, keeping the buoyant pace and intrigued mood until the end. Outbursts of psychedelic melodies are very well contrasted by repetitive seances of hazy hypnosis. Fast-forward impressions from the places never visited in person, but visited in dreams and imagination. Repetitiveness always plays with trance-like states and this music is no exception - once this tapes starts spinning it won't be out until few rounds. "Enchanted Forest" is full of fairy creatures, ghostly voices, electric birds and ephemerally sparkling phenomenons, but when you in it, you take it all as a matter of course. Their dances and voices are gorgeously mesmerizing and the trail is long lost anyway. Where's the boundary between reality and imagination, when just a music can blur it so easily? What is reality anyway? If music is just a vibration of air, why it produces such an impact? Okay, let's drop these big questions until the long winter evenings, it's summer after all! And this music perfectly fits the sunshine. Aren't we all reaching out to the light?

Wednesday, March 14, 2018

inner travels ~ yonder



Flickering music at the edge of natural and abstract. Invisible structure of morning air. Web of tiniest threads connecting perception with so-called reality... New tape at Sounds of the Dawn it's always a revelation and each Inner Travels' work is an expanding universe of intuitive knowledge about phenomena we usually avoid to notice in our daily routine. All these barely noticeable nuances, a multidimensional space between what we call "myself" and "everything". You know they are endless, but it's your personal infinity, your own universe created on the edge of what you see and what you think you see. The game of life and death. What you believe and what is hidden. 

Despite its purely electronic nature I always see Inner Travels as music about nature. Yet it's not simply landscaping or ecologically inspired – the weaving of the sound here is abstract enough, yet with a strong rhythmic background. I'd say it's the air chiming. All kinds of air: morning, evening, air above lakes... But it's not about the air – like a book is not about pages and letters. When I'm trying to express that feeling Yonder gives me, it vanishes... When this music was born, it did same thing. Nuances of the perception, the miracle of memory which we often take for granted. Something was here for a moment and then vanished, but it lives in our perception... Not just a static picture, but vivid object, living thing. Of course we have a mechanism in mind which says "that is real and this is not". "It's just a memory", "it's just a dream"... Safety mechanisms. But listening to Inner Travels I feel like this distinction dissolves in the ripples of sounds. It's all same thing, one thing. No matter how you call it, real or made up, it lives its own life, it has its own infinity of nuances, true miracle! Just like everything else. 

Saturday, December 03, 2016

matthew barlow




"A word on my process and overall concept when I was doing these “sound meditations”: Each one generally only had one track, and everything was improvised live and recorded in one take with no overdubs. Once the track was exported and posted online, the original master was deleted. This method was a practice of “calm abiding” with sound in the present moment, allowing what would arise to come and go. It wasn’t about creating a piece of music but rather about practicing a particular state of mind. It was one of my most freeing and rewarding experiences in making music, and I’m honored that it has been enjoyed by so many. This one is dedicated to the present moment and to the peace that can be found there provided we just listen. Very special thanks to Sounds of the Dawn, Steve Targo, and Kyle Landstra – without your inspiration, this music would not be possible." matthew barlow

“The heart surrenders everything to the present moment. The mind judges and holds back.” – Ram Dass" 


Sound Meditations by Matthew Barlow invites you to immerse yourself in the gentle flow of synth improvisations and field recordings. To still your mind and to open your heart to the present moment. Slowly the soothing sounds pass by in a fluent and organic way, going to a place where words lose their meaning and the music speaks for itself. It´s the feeling of apparent effortlessness and obvious natural beauty that makes this album an instant classic. More music by Matthew can be found here.




Thursday, September 29, 2016

lunaria / tvvin_pinez_m4all



Second tape release at Sounds of The Dawn brings to the world a new masterpiece in the new age genre - an it's only a debut album, recorded by Daniel - a member of our blog's team. Listening to this tape is an immersion into the state of heightened sensitivity, when everything becomes brighter and clearer. It may sound as a cliche when it comes to ambient new age music, but I'm too assured in the fact that actually any music can do that if it has sincerity. There are nothing supernatural about the impact which music can do on our minds and we don't need scientific proofs for that - just an open-minded listening, which leaves analysis and criticism beyond the perception. Blissful tones of this music is a soft contradiction to the modern pop-music with its aggressive production. One may call it escapism, but then one should ask himself - where are you escaping when listening to radio hits? What is real? Which reality is true and everlasting, and which is just temporary construct of humanity's greed? Nature is all around us, but we mostly ignore it, building our own realities, first concrete and metal, then virtual... But when I go with this though further, while bathing in the crystal clear melodies and chimes of Lunaria, I realise that answer is already here - literally. On the tape cover. It says "all is dream" and duality of the meaning of the word "dream" makes the answer even clearer. There is no escapism. Global civilization, the Humankind, even Cyberspace - everything is Nature, part of our planet's evolutionary process. And this whole process is just a part of universal dream. Who dreams it? We all do, and by doing that we can make all kinds of things... And we do them, many different things, not always pleasant - saying "what the difference?". But when someone makes music like this, when someone listens to it and it makes one's dream a bit brighter and lucid - I can be only happy. And it makes a difference.

 


Colorful, growing plants are the key to livening up any interior décor. 

During the course of last year or two vaporwave has become much more structured genre, than it was at the beginning. To tell the truth, it was more like a joke, than a "real music" and some people still think that way. But even superficial acquaintance with everything vapowave-themed on Bandcamp brings so many sub-genres and variations, that no joke can have. Being 100% product of postmodernism, this music recycles long-forgotten tunes, giving them another perspective in the massive retromania, which overfilled music market nowadays. And by doing that, vaporwave shifts the perception towards images and situations that actually never existed. If you old enough to remember early 90s, you can feel the similarity in atmosphere and aesthetics, but there are still too many differences, which makes vaporwave-induced nostalgia no more than a postmodernist trick. And it tells a lot about the way we remember, think and perceive. Take this tape - typical, I'd even say classical vapowave album full of slowed disco tunes, ambient passages and late 80s new age reminiscences - but still none of these things in sum. It reminds me making collages of old magazines - you can put together some random parts from your mom's old knitting magazine, modern National Geographic and some last year's newspaper. Of course, you get some new picture, but what is more important - this picture transcends time, it brings everything in present moment, making it joyful. So what's the difference between music for plants, recorded by 80's new age artists and this tape? Only time - which is just an instrument for the artist, a way to make perspective, to give us a hint on our own head interior. Do you have any living plants there? I bet they'll love this tape, because it sounds damn chill and relaxing.

Sunday, April 17, 2016

hybrid palms



Sounds of the Dawn, ese lugar mágico donde encontrar tesoros redescubiertos de la época dorada de la new age music, es ahora además un sello musical dedicado a dar luz a nuevas gemas actuales que vibran en frecuencias afines. Esta primera cinta que publican es una delicia de principio a fin, un lienzo de pinceladas azules, verdes, luminosas, una experiencia sonora que transmite sensaciones de paz y relajación entretejidas de olor a mar y visiones de reflejos del sol en el agua. Es difícil escoger una canción porque cada una de ellas refleja la totalidad de ese mundo cálido y azul. Un mundo tal vez entrevisto en fotografías vintage de un mar de otro tiempo impregnado de vibraciones de calma y placidez.

En general me es difícil hablar de la música que me gusta en términos que no parezcan una carta de amor. Últimamente mucho más, me cuesta hablar de música, y desde luego me es imposible juzgarla con objetividad, si es que existe tal cosa. De todos modos, ¿para qué? Lo que aquí suena es belleza y ya lo único que encuentro energía para hacer en este ámbito es invitar a escuchar y gozar de la experiencia concreta sugiriendo las buenas sensaciones que me despierta. Puedo decir que "Ocean Plaza" es enorme y que sus últimos minutos me evocan algo muy bonito que no sé definir, y que está presente en las más mágicas grabaciones de esta tendencia artística maravillosa que experimenta en los territorios vibratorios de la intención luminosa. Pero la magia no decae en ningún momento, como decía cada pista es una imagen de exquisita profundidad en la que perderse. Esas melodías sutiles de sintetizadores y sonidos percusivos que apenas destacan entre un fondo de grabaciones de la naturaleza, que invitan a abandonarse entre el entramado brumoso de su sonoridad. Los cantos de los pájaros, el crepitar, el agua y la música, todo conforma un todo indistinguible, ese entramado, esos arpegiadores al servicio de la sensación de maravilla y placer, y ese suave sonido melódico tipo viento que asoma de vez en cuando para acariciar con su melodía indefinida imbuida de serenidad, en "Ocean Plaza" y en "Turquoise Lagoon".

Para mí, esta cinta de Hybrid Palms es una de las más bonitas de lo que llevamos de año. Un año que musicalmente está siendo increíblemente rico, muchos proyectos están dando frutos maduros y otros más nuevos, como este, tienen la gran capacidad de sorprender y maravillar en una escena tan prolífica. Es además un inicio de lujo para Sounds of the Dawn, a quien hay que agradecer la constancia y el esfuerzo para traernos estos sonidos de paz y magia, belleza evocadora que los pobres humanos siempre necesitamos y hoy más que nunca.