microphones in the trees: woods
Showing posts with label woods. Show all posts
Showing posts with label woods. Show all posts

Wednesday, April 14, 2010

woods

"The distance between 2007's At Rear House and 2010's At Echo Lake may at first seem only semantic, but it more properly represents a move from a kind of informal back porch jam ethos to a fully-committed vision of the infinite possibilities of group playing. Over the past few years, Woods has established themselves as an anomaly in a world of freaks...But despite the instrumental innovation the album heralds guest musician Matthew Valentine's harmonica and modified banjo / sitar on Time Fading Lines, At Echo Lake is all about the vocals. Woods secret weapon is the quality of Jeremy Earl's voice, absorbing the naïve style of Jad Fair, Jonathan Richman and Neil Young while rethinking it as a disciplineand a tradition. Here he is singing at the peak of his powers, in a high soulful style bolstered by heavenly arrangements of backing vocals. At Echo Lake feels like the transmission point for teenage garage from the past to the future. Deformed by contemporary experiments, bolstered by magical traditions, it's the sound of now, right here, At Echo Lake." Dave Keenan
foto: árbore

Sunday, January 11, 2009

mv & ee

mv & ee - hick smoke (child of microtones 2008)


"howdy lunar listeners, it's been awhile since a real moonblood Child of Microtones was birthed, so we offer you Child of Microtones 33, mv & ee "hick smoke". mainly recorded at maximum arousal farm in pure analog, this one is limited to 99 copies and comes in a heavy oilboard sleeve with color covers, insert and astral dimensions in spectrasound. ayup, spectrasound. a good new year palette/pallet cleanser for the 'too much is not enough' synapse. hope you all are diggin' the arrival of the capricorn moon. eternal thanx for a great year...
featuring contributions from the golden road (doc dunn/mike smith), jeremy earl (woods), asa irons (feathers, et. al)..."

foto: grandylion