microphones in the trees: sara gossett
Showing posts with label sara gossett. Show all posts
Showing posts with label sara gossett. Show all posts

Thursday, May 10, 2012

branches


"finally, it’s starting to feel like summer. the air has been filled with campfire smoke, I’ve been embarking on seemingly endless bike rides, and getting back together with old friends. these new tracks by Branches score these early summer nights, and Pedro Ríos reminds us how the best of summer is yet to come."



''portuguese bedroom producer Pedro Rios (Dopo) has a new lulling, loop-based ambient album out today. it took me awhile to warm up to this guy's sound, but now I'm fully on board with his loose, leisurely compositions. turns out comics god Warren Ellis is a fan, so that's another vote of confidence for Rios." the stranger

"new age-y vibes, beautiful, bubbling synthesizers floating on an innertube pond forever, just barely making out the hammering street sound from across the water." friendship bracelet



"Branches has something of nomad. he wasn't born to stay in the same place. there's little, or even nothing, left of the embryonic recordings, other than an excavating will/determination of exploring the darkest corners of sound. but even in this something has changed. in Alto Astral, conveniently released on tape, there is a slow but candid opening of windows to the sun and the light, a stretching out of toes towards the warm sands of the beach, a perfectly healthy flirt with the melodic beats and flavours of the 80s.

all this with crafty cut and paste aesthetics, an abuse of minor samples ~in a sinful collab between Pedro Rios and Miguel Carvalho~, and and acknowledgement of the remains of a certain pop, so many times mistreated and rejected, doomed to end up in cardboard boxes brimming with old lps for less than 5 euros.

entering Alto Astral is also putting on repeat those ten best seconds of the Caribbean lp we found in the attic in the holiday house, it's admitting to like that melody of dubious taste, it's finding life in keyboards kept forever in closets up to the top with memories, it's like watching life slowly unfurl in front of our eyes.

entering Alto Astral is seeing Branches reinventing himself while going with the tide, arm in arm with the beats and melodies we thought were lost forever. to see the entrance of the sun." andré gomes

 
qué manera más bonita de reinventarse la de pedro ríos, antes conocido como Dopo. he aquí tres discos como tres soles de verano llenos de canciones para reenamorarse de la vida, aunque a veces parezca imposible, y que además pueden descargarse gratuitamente (if the free downloads expire please ask me for a link (branchesbranches@gmail.com) desde su página de bandcamp.

ninguém é como tu, sonho marítimo, alto astral, parapente, palmeira privada,...títulos sugerentes donde los haya que te invitan a zambullirte de lleno en su sonido arrebatadoramente tropical y burbujeante. Branches recuerdan a veces a Monster Rally ('laguna sunrise' y 'astral interludes'), Cankun ('canção para o Luís'), Edibles, Parasails, o Kon Tiki Gemini ('barco para zamami', 'couscous no cavalo branco'), pero también a Valerio Cosi ('floresta') o, sobre todo en sus primeros discos, a Second Family Band y a aquellos inolvidables años de Jewelled Antler

Wednesday, February 29, 2012

transcendental rodeo | matthew albert dunn


"four track album from this lysergic country/lunar blues group featuring matthew 'doc' dunn of mv & ee fame. the sound is raggedy communal goodtime ala the cherry blossoms, with mouth harp, banjo, guitar et al rendered in a lower east side hoedown style that is sure to appeal to fans of the holy modal rounders, mike nesmith, pat kilroy, david peel, tower recordings, peter grudzien, matthew valentine et al." volcanic tongue


"this is heady album of acoustic layers and dazed out folk. really great set of two tracks zoned out in a mist of haze" lucid owls

Monday, February 27, 2012

talk west


"Tulsa, Oklahoma multi-instrumentalist and scissortail records guy Dylan Golden Aycock delivers this stunning batch of drone-folk meditations fashioned with a truly refreshing mix of synths, loops, air organ, and expressive pedal steel. These sunken timber hymns harken back to the roots of American experimentalism but stand in their own new space, lonesome bedroom ballads tinged with universal nostalgia. Edition of 70 pro-dubbed/imprinted tapes with letterpressed and risographed artwork." no kings

no kings (cambodian field recordings de stephen molyneux, disco de la vida) es el sello de lee noble, que a su vez es el autor de la portada original de freights & fields. además, dylan golden aycock (the doldrums) tiene su propio sello, scissortail records, que a su vez ha publicado el preciosísimo workers lament de golden pawn. y además son de oklahoma.

foto via sara gossett
 

Saturday, February 25, 2012

michael hurley & betsy nichols


"One day Betsy Nichols traveled all the way from the East Coast and showed up on the doorstep of Bellemeade Phonics Studio. Although she had never met the legendary 'Snock,' she was determined to sing a few songs with him and record them. Here are the results: four songs featuring duet vocals with guitar. A lovely but short version of 'Jockos Lament,' an epic version of 'Knockando," and the haunting 'River in the Rain.' Not a reissue but rather a bonafide contemporary recording never before heard." mississippi

foto via sara gossett

sold out | download

Saturday, May 28, 2011

silver louise

"Silver Louise learned to play guitar and banjo at the foot of the black mountains in North Carolina. Dark, modal banjo tunes and the blues of the rural south inspired her early work, which evolved as she discovered John Fahey, Robbie Basho and composers such as Steve Reich, Lubomyr Melnyk, and Meredith Monk. Her lush, hypnotic guitar compositions recall rhododendron thickets and countless hours playing by her crackling woodstove, and her voice reflects the soul of the field recordings she has absorbed over the years. Now based in San Francisco, her music has evolved into a mature and original sound that pushes the boundaries of folk and experimental music."

takoma, banjo, canciones a capella y una voz que 'refleja el alma de las grabaciones de campo que Louise ha ido absorbiendo a lo largo de los años'. lo más nuestro

foto: sara gossett

Monday, May 09, 2011

wyld wyzrdz • stag hare / high wolf • annapurna illusion

"Two peace offerings from Wyld and Stag"


"High Wolf's 23-minute contribution, "Amazonian Love Call" recalls the sounds we have enjoyed from him to date, a humid combination of tribal beats, expansive guitars, and whispy synths. Annapurna shares in a similar jungle trance, but is harsher in tone..." altered zones

Tuesday, April 26, 2011

tsembla

 tsembla ~ fauna (ikuisuus 2011)

"The Turku-based Marja Johansson aka Tsembla use traditional acoustic and electric instrumentation to create oddly affecting folk miniatures that combine the scrabbly forest-folk sound of Kuupuu, Lau Nau, with nostalgic keyboards and variously displaced sonics." volcanic tongue


"Decay and copulation rites flourish around a trash raft that fish take for a coral reef. The sun blinds your eyes, but you can see a figure there... And in the desert, wind, erosion and echoes work the surroundings of Poly Styrene’s ex-hang-out, an oasis filled with lively people and empty beer cans. Ornamental carpets and fresh water, too. There it is again! It’s Tsembla playing her modified samples, strings, reeds, percussion and the whole range of modern psych instruments to create fiestas with strong twists of pop music. Sounds old and new and like nothing you’ve ever heard before." n~m

 
"...this is perfect music for those staring at the sun" flow festival

fotos: sara gossett