microphones in the trees: gareth dickson
Showing posts with label gareth dickson. Show all posts
Showing posts with label gareth dickson. Show all posts

Tuesday, February 21, 2012

gareth dickson


"To say that the last few years of Gareth Dickson’s life have been tumultuous would be an understatement. In 2007 he fell in love with a girl from South America, packed up a few essentials from his life in Scotland, and moved to the Argentinian countryside. It didn’t turn all fairy tale at that point, however. While there he was shot at, attacked by dogs, and was involved in a very close call when the passenger plane he took to a little town in the Andes was forced down after an engine caught fire. The bullet missed, the aircraft landed, and the dog bites healed; he survived intact, albeit a little more aware of his own mortality, and a good bit more anxious.


The bullet in all honesty was never meant to hit” he states calmly, it was a robbery gone wrong and he happened to be in the wrong place at the wrong time. The incident in the aircraft was far more terrifying because there was the agonizing time to think and reflect during the plane’s unintended descent. “It’s interesting to find out how you would react in that situation. Faced with the possibility that it’s really time up, I felt an overwhelming sense of this having been destiny, that it was impossible that I had boarded this aircraft by chance.”

...Gareth often gets comparisons to Nick Drake but it’s important to mention the influence he takes from experimentalists like Brian Eno, Bert Jansch, and Glenn Gould. His music is characterized by an intimacy gleaned from his dream-like approach to singing and playing guitar as well as the immediacy of being captured shortly after being written by whatever recording device is closest at hand, be it a cassette machine, handheld recorder, or 4-track. His use of analogue delays and reverb add to this soft, spacey vibe. The lo-fi nature of his sound harbors all of the cracks, flaws and rough edges of humanity, soul, and the deeply personal circumstances that surround the creation of art. ...Up until this point Gareth had been traveling as one of the mainstay’s in Vashti Bunyan’s touring band" 12k

Wednesday, October 18, 2006

gareth dickson


"These tracks were recorded at home over a fairly long period of time (2002-2005). Some of them were released previously on an album called 'Spruce Goose', others are tracks towards a forthcoming album entitled 'The Dance' and the rest towards an EP to be called 'Amber Sky'.There are no overdubs on any of the tracks and the effects are usually recorded with the track. I use a steel string guitar and Electro Harmonix delay and reverb pedals. The aim being, really, to draw on a lot of the electronic music I love and still get to play a guitar." Gareth Dickson

una de las razones por las que me llevaría The Amber Goose Dance a una isla desierta es porque 'Technology' se parece a Mr Wollogallu de Nuno Canavarro y Carlos María Trindade

pero también porque 'Amber Sky' me recuerda a las canciones que tan bien saben hacer Ben Chasny, Ylias Ahmed o Boduf Songs

y por la cantidad de nombres que vienen a la cabeza al escuchar Clamber, The Dancer o Solina Sea. Labradford, Eno, Bert Jansch, Goldmund, Max Richter...

porque tal vez exagere, seguro, al comparar la belleza clásica y sencilla de Salvia Space con Satie. o tal vez no

porque no existe mejor forma de despedir y coronar un disco que, de nuevo, Technology, con esa breve intro de guitarra acústica suspendida en el aire y un emocionante desarrollo que tanto se parece a Cmt Guiar de, una vez más, Canavarro e Trindade.

y porque a Nick Drake seguro que le hubiera encantado
(the air is thick with trees/i am fit to leave/tv, how do you bear and be...technology/death is a breeze, death is abreeze...technology)