microphones in the trees

Wednesday, March 22, 2017

guenter schlienz / alineko / lunar devotion




«"Night Music Bundle" is our new batch of gorgeous ambient & drone music received from great artists around the world! New full-length album by modular synth guru Guenter Schlientz, whose music we are proud to release; huge one-track work by Alineko, whose stellar drones we already had in catalogue; and, finally, long-awaited Lunar Devotion compilation album, featuring many different styles of ambient on one disc, all dedicated to the beauty of the Night! 

Bundle is available in collectors edition - hand-painted wooden box with many inserts, including mandala prints, postcards, moss & custom made star finder» ~ pantheophania

«Dedicated to the barely visible stars above your home town.» ~ guenter schlienz

In the gleam light of night streets we always see the same. City envelopes us, creating space inside itself, which is almost flat compared to the actual world around. Sometimes it seems that we live inside a dome of glass, like ones from sci-fi books about distant future in post-apocalyptic world. We don't look at the sky, unless it's raining, we are losing the feeling of vastness, of the universal endlessness, which surrounds our little tiny home planet. Cosmos doesn't fit in coordinate system produced by the rows of street lights. But still there are some dreamers, inspired by the blinking stars above the never sleeping towns, bringing the melodies of this elusive beauty, which hides between the city blocks, trembles over the rivers and dissipates in roars of the streets... This exquisite album by our favorite modular synth wizard Guenter Schlienz is a dreamlike journey over the routine of life, perfect companion for late night walks and leisurely stargazing.



«A lucid dream is a dream during which the dreamer is aware of dreaming. During lucid dreaming, the dreamer may be able to exert some degree of control over the dream characters, narrative, and environment.» ~ wikipedia

Second full-length work by Alineko is an aural excursion to the ancient art of lucid dreaming, personal reflection of the interest in Yoga Nidra and modern dreaming techniques. Being minimalist drone piece only at first glance, «A Guide To Lucid Dreaming» reveals a truly mesmerizing deepness and variety during the listening, unfolding hidden, but always present possibilities of our mind. One may hear choir or orchestra, humming of the wind or murmuring water, distant voices, whale songs, etc. – but nothing of it is present here, only play of perception. This music can be anything: meditation session, simple relaxing background or a truly deep listening experience, depending on the one's mood and surrounding. 


various artists ~ lunar devotion (πάνθεον, 2017)

Nytt Land, Tmavy Kruh, SiJ, Чайник Болотных Богов, Med Gen, lost-radio, Ugasanie, Sunmoonstar, Gamardah Fungus, Nubiferous, Ongo Oruulaa

«Lunar Devotion» is a long-awaited successor of our «Solar Devotion» release made back in 2014. For this compilation we asked artists for their vision of the Moon and everything connected with it – seasons & cycles, religions & cults, dreams, fantasies, insomnia, cosmic landscapes... All of this can be found on this release, intertwined, slowly changing moods from light ambiences to deepest dark drones and back to purest silver light of our Mistress of the Night.

Monday, March 20, 2017

stag hare / crown of eternity




«Velvet and Bone is structured as a gothic fable. It is about the act of self reflection through knowing another. It is about seeing the shadow and knowing the shadow. It is about seeing death and knowing death. It is about bones, and the way they are shaped by the tensions put on them by various opposing muscles. It is about the swamps of depression. It is about love in its most tragic and therefore most beautiful form». ~ stag hare

Being a huge fan sometimes stops me from writing reviews – maybe it's just subconscious feeling that words can spoil the fragility of music, especially when the music is as personal as Stag Hare are. There are so many kinds of art, of sound, ways of expression, but not that many artists are interested in putting their true emotions into art. Looks like image and the presentation are more important than revealing the personal side  of life and it's understandable. But when the image contradicts to inner story it may say something about our ability to feel the difference. What I like about Stag Hare (and the whole Inner Islands roster, actually) is sincerity, openness, fearless sharing of life as it seen by the artist, reflecting everything in music, telling stories which at some level are universal for all human beings – we just go through them by our own patterns. So, here it spins, new tape with Stag Hare's songs and this time they're actually songs with lyrics printed on j-card! «Opening (Depression)» starts with deep drone tune and it's actually not so dark, as drone ambient can be, but it has this longing which fades in second track – slowly, but confidently building sparkling layers of blissful folk song and entering the same territories Stag Hare known for, but this time with the strong presence of the new kind of energy. Dreamer has awakened and discovered that real world is the challenge and was never separated from the dream. The inner and the outer are not that different categories, simply matter of viewpoint. These songs are still dreamy and so magical, they bloom like astral flowers from the deepness of psychedelic revelation, but at the same time the thickness of the physical is present, like never-ending drone – it simply stitches once separated into whole... Natural & urban, transcendence and routine, simply life as it is. Aspiration to non-duality is primal to every spiritual being, but the ability to separate things is not less important, it's actually the only way our mind can work, endlessly dividing and then synthesizing at new levels of understanding, just to separate again... Okay, think I went too far, so let's say it's just wonderful music for everything you want from it. «Velvet and Bone» can be just beautiful background for your daily activities as successfully, as the impetus for philosophizing (which is clear in my case), it chills and gives energy, it brings joy and contains many different moods at the same time. Music of high potential to unfold. Truly personal, but universal – you may learn something from it, consciously or not. In any case, you won't regret hearing it. 





«Dream Architecture contains the deep and complex harmonics of 11 gongs, as well as the sonorous tones of more than 60 bells, sound plates, sound triangles, tuned metals and singing bowls. Crown of Eternity carefully and patiently blend and orchestrate their instruments to create harmonic fields that invite the listener to dive in and not only explore the nature of the sound current, but also their inner landscape». inner islands

Some things change and some not. But it depends on the perspective, of course. Music of gongs, singing bowls and similar stuff was in the New Age genre since its inception. Of course it existed before, but not as music, but more as a spiritual practice. And this function of primal metal instruments vibrations resonating through your body remains unchanged – you'd rather hear such music at some yoga place, than in the concert club. Same private and personal feeling is present at this tape, as with Stag Hare release above. We are left alone with resonance, created with carefulness. It nurtures your senses, sets the right mood for relaxing contemplation, it gives landscape for your inner gazing... The experience of listening to such tape may be rewarding, but I guess it's nothing compared to Crown of Eternity live sets. The amount of gongs, plates, bowls and other metal resonators seen on photos has its own impression even without hearing the music! But if you had the chance to join such session at least once in your life, then you know what I mean. Here the point which turns spiritual practice into music – the act of recording. Same can be told about about any "sacred music" like tibetan monks' throat singing or orthodox chorals: when you are out of the moment of actual happening, when this is recorded or even just put into the studio or onto stage – it turns into completely different story. But this is really one big theme and it leads us away from music itself. Which is, by my humble opinion, can be always regarded as thing in itself without looking at its context and further analysis. Call me consumer, but some things need to be simply enjoyed. This tape is highly enjoyable even if my sound system is unable to produce same effect as live session with all those beautiful resonating stuff. But still, the sound resonates with my soul and think that's the most important here. Usually I listen recordings like this (Klaus Wiese, Danny Becher, Karma Moffet to name just a few) when I'm tired of any other music and it's always refreshing, kind of pleasant pause in the never-ending stream of music and always-present daily noise. Harmony & meditation, and nothing else here actually. What else do you need? 


Tuesday, March 07, 2017

check out ~ the book


«CHECK OUT is a project involving sound, images and words. It is divided into sections (chapters / tracks) and has three main granularities, i.e. excess, exposure, and death» ~ horschaft

This is simply gorgeous. No exaggerating, this is the first and second and third impression on this release. Even before hearing the music, holding this beautiful LP-sized book with matte-finished hardcover, full of atmospheric photographs and collected impressions makes my heart beating faster. Maybe just because I like photography and work in printing business, but I don't think it is the only reason. The book unfolds masterfully captured moments of fleeting beauty, seen in tiny details, in landscape, in urban and naturalistic, in simple movements and casual glances. And while the music starts its weaving, your attention is already caught by spells of this creation. It is really hard to make something outstanding in times of ambient music abundance, which we are facing now. Revival of physical formats paves new ways of representation of highly subjective artistic visions and it results in variety of forms – handmade editions, special inserts, quests for ordering, etc. But despite the common idea that music must speak for itself, it's actually a new level of music production – making not really a product, but an art object. Imagine yourself visiting art gallery: some pictures on the walls, subtle music playing... Your impression is fleeting, it depends on so many factors and lies under so much pressure of the modern life-style and its rhythm, that it dissipates as quickly, as the morning dew under the sun since you leave the gallery... Subjective means personal, and personal art it's always just a tiny window, a glance inside the world of the Other. The less objective you are trying to be, the bigger this window gets, expanding the ways of perceive and understand each other. Simple idea, but not that easy to follow when it comes to practice. But if you have the exhibition delivered right at your place, carefully prepared for revisiting its virtues, hiding some details for attentive exploration... Probably it gives much more freedom both for you and for the artist. Ability to explore deeper is a luxury in a modern world.

I won't divide the music and pictures of this edition, I'd rather tell that they are as inseparable as our five senses. Interconnection of impressions creates polarity, accumulates the impulse to discovery, and that's a very good approach in case of ambient music. It creates the deepness and instead of hearing just another melodic guitar ambience and dusty, melancholic soundscapes we plunge into the world of CHECK OUT without hesitation, exploring sensation of every tiny detail of mood, which appears only once – right now, right at this page, with this exact transition of the sounds. This album gives us an environment so fragile and sensitive to any change. It seems that CHECK OUT is about capturing the fleetness of our life, about unavoidable death of every beautiful thing...  But at some point of deepening inside it you may realize that this is happens all the time and that's what life is, a game of perception, of the novelty and excess, of discovery and forgetting... This album not just captures something, but brings the deeper level in the game.






Friday, March 03, 2017

electric sound bath


Sound form perception of moon found within in order to perceive its lunar gift vision of itself at a hearts arms magnetic pulse distance ~ fluere tapes

Latest release from Sweden cozy label Fluere Tapes follows the aesthetics of best ambient-drone outfits blossomed on tape scene in 2009-2011 – shimmering lo-fi soundscapes taken from guitars and synths, slowly evolving atmosphere, calming/meditative touch, feeling of something personal, as if played on private event for a few friends... Seems predictable at first glance, especially for one who's not that much into lengthy drone tapestries, but hides gorgeous moments of serenity and pure bliss for those who know how to listen. Nothing special, actually – get rid of any expectations, turn off analyzing parts of your mind, make yourself comfortable and simply enjoy the ride of slow waves of sound. Then every change of mood in music seems so natural to current time and space – something that was truly needed right-here-right-now but wasn't clear until the very moment of appearance. Expected and surprising at the same time – that's the magic of this tape. Quite often perception of music has certain competitive aspect, like you're testing the ability of musicians to surprise you, evaluating their skills, knowledge of technical side, etc.. And a lot of artists and listeners are good with that, even at ambient/drone scene... Yet, ambient music shouldn't be perceived such way, it's purpose and it's possibility stretches far more forward. Without getting too new-agey, I'd say that music like "Moon Drip" (which is actually a very fine example of non-centered sound continuum usually called ambient) is a wonderful mood changer – calming and transparent, gentle enveloping wave full of bright glares and distant echoes, yet dynamic enough and always changing, every time at any angle if you look close enough. Highly enjoyable background for evening chill and perfect companion for morning walk along the waterfront. And don't forget about the last track "Music For Train Stations", which spans over 40 minutes and suits its name very-very well. Now you know which tape you should take to the next train trip! 

Thursday, February 16, 2017

eva geist ~ äquator system



«Dedicated to dreams, lost paradises, and new horizons of human belonging, Äquator System transcends a musical journey from a hidden center to an endless distance, reminding us that we are made of galaxies.» ~ eva geist

Exploring the vastness of modern retromania, I often ask myself one question – what if there is actually no such thing as "past" in music and maybe even no such thing as "music development"? Evolution of music usually means the technical side of its creation, hence almost all changes are simply consequences of new gear's features or simple invention of new terms for already existing things - as it was with Brian Eno "inventing" the ambient music. Of course, music history had some major shifts, but talking about them we can't avoid discussion of the gear (and by gear I mean any instrument) and methods to work with it, be it physical or digital, composition or performance, etc. Such things say more about form of music, but much less about it's essence. Maybe nostalgia always was a big part of this "essence", tuning the aural visions through personal experience. Some kind of universal feeling that connects our minds to the idea of some "golden era" in time and space coordinates. This can be expressed in many ways, but the very idea of creation of some sound continuum, which comforts its creator (and likely the audience) remains fundamental for music evolution.

Reading the liner notes for Elestial Sound tape release of this album brings the same perspective on the so-called "retro-ambient" scene. As Steve Roach recently said in the interview for Bandcamp, it never was about styles or fashion, it's all about space which music creates for the listener and the author himself, as reflection of his personal story line. I don't really know was the "Äquator System" taken from childhood memories about educational films and TV show soundtracks or not – what really matters is the timeline it contains inside itself. It's a story, enigmatic one. It brings so many colorful pictures, visions and narratives not necessarily associated with past, though it sounds really "retro". Actually, all differences between modern styles of music are based on the timbre, on the particular sound, and each timbre, especially when it comes to electronics, is already has its place on styles map. But the essence is avoided, it seems that we forget to look inside the sounds, to see beyond the surface. Because when we do it, whole universe unfolds before our inner gaze and it may be hard to navigate inside it, since we need to lose yourself to some degree, to step out of  our customary coordinate system. Anchors of style definitions or even mere labeling are good when (and where) they needed, but don't forget about sails! "Äquator System" is a playfully created soundworld, full of mesmerizing beauty, fun moments and dramatic shifts – so let yourself explore, it will be a great adventure.

Thursday, January 05, 2017

rod hamilton and tiffany seal ~ versatile ambience



Rod Hamilton and Tiffany Seal are an electronic music duo from Baltimore, MD. Their instrumental album, Versatile Ambience, was performed live to cassette. eshe records

When I enjoy something very much it seems hard to write about it just because I have some kind of fear – so many things to express, such intense feelings... Sometimes it feels like trying to embrace the sea waves. Thinking about this tape I tried to avoid comparisons, but it's impossible not to mention Tuluum Shimmering or Dream Safari or Black Joker or early High Wolf to describe the feeling this recording gives me. Being a huge fan of 2009-11 psych drone tape music, when everything was so lo-fi, psychedelic and sweet, I can't avoid nostalgia while listening to something like this. Blissful vibes of xylophone sound, calm ambiences, tape-hiss-infused loops and weird new-agey feeling of relaxation on the edge with psychedelic revelation... So deeply warm and embracing sound, that it's almost impossible to break the listening into parts – only pressing repeat button feels like right choice. Your trip will feature tropical islands, jungle & mighty rivers, warm deserts and calm oases, therapeutic relaxation sessions, third eye opening, flying with the bees over unearthly beautiful flowers... Okay, think you already get what to expect here! So don't hesitate and grab your piece of this charming exotic beauty. Absolutely recommended and highly gratifying sounds for your inner self.

Saturday, December 31, 2016

end of the year list



Hola friends! This year Microphones were not as active as usual due to many reasons, but we still listen a lot of music and always eager to share is with other souls through this world. Here is the list of albums we love and enjoy, music that gives inspiration and peaceful feeling of the life flow. No particular order, no ranks, just good vibes delivered by amazing artist all around the globe. Enjoy!

Braeyden Jae — Fog Mirror (Whited Sepulchre)
Ant'lrd — Sleep Drive (Whited Sepulchre)
Josephine Foster — No More Lamps in the Morning (Fire America)
Deep Magic & Mohave Triangles — Split (Diatom Bath)
Matthewdavid's Mindflight — Trust the Guide and Glide (Leaving Records)
Thousand Foot Whale Claw — Cosmic Winds (Constellation Tatsu)
Gamardah Fungus — Herbs And Potions (Flaming Pines)
Cloudsound — Static Sense & Wonder Stasis (ΠΑΝΘΕΟΝ)
Saåad — Verdaillon (In Paradisum)
Pandelindio & Bird People — Sporal Dispersal (Frente Al Fuego)
Les Halles — Transient + Sentient (Not Not Fun)
alineko — summer of love (ПANΘEON)
David Colohan — Hill of the Moon (Was Ist Das?)
Sarah Davachi — Dominions (Jaz Records)
David Parsons — Puja (Gterma)
Grykë Pyje — Fragments of High Sensitivity (Ikuisuus / Hyster Tapes)
Bear Bones, Lay Low — Hacia La Luz (Self-released)
Alone in the Hollow Garden — Receiving the 17 Daggers of Light (Self-released)
SONM — embody (Pearly Snowdrift)
Mathias Grassow & Closing The Eternity — Untitled tape (ΠΑΝΘΕΟΝ)
Directorsound — Sun Suites For a Rising Moon (ШАΛАШ)
Useless — HEXA (Terminal Dream)
TVVIN_PINEZ_M4LL — 植物波 - p l a n t w a v e (Adhesive Sounds)
Hong Kong Express — Hong Kong Express (TKX)
Hybrid Palms — Pacific Image (Sounds of the Dawn)
Lunaria — All is Dream (Sounds of the Dawn)
Julia Bloop — Bllop (Rotifer Cassettes)
Guenter Schlienz — Augenblicke (Sacred Phrases)
Guenter Schlienz ‎ Book of Dreams (Cosmic Winnetou)
Mårble — Looking for Marine Iguana (Echotourist)
Rod Hamilton and Tiffany Seal — Versatile Ambience (Ehse Records)
555 — Thee Omega Seed (MJMJ Records)
Kyle Landstra — Variables of Resolve (Moog Music)
Sunmoonstar & Inner Travels — Split tape (Scenic Rhythms)
Inner Travels — Clear Seeing (Inner Islands)
More Future Suffering — Self-titled (Winter Sea Label)
You C + Foresteppe — Seven Sleepers (ШАΛАШ)
A.Shark — 45 (Ominor Records)
Stag Hare — Velvet & Bone (Inner Islands)
Channelers — Space Makes Clearing (Inner Islands)
Ashan — Death is the New Life (Heavy Mess)
Sister Grotto — Blindside (Heavy Mess)
Eva Geist — Äquator System (Elestial Sound)
Tuluum Shimmering — Where the Turquoise Spring Sings Among Pebbles (Self-released)
Sun Cycles — It Cuts the Plow Reins (Psychic Troubles Tapes)
Paa Annandalii — Cavernous Fruits (Rotifer) 
Bird People — Down of the Hamsa (Eiderdown)
Чайник Болотных Богов Гранатовый Сон (GV Sound)
Matthew Barlow — Sound Meditations (Sounds of the Dawn)
Jöns — Music For Euronews (Strategic Tape Reserve)

Support the artists and the labels, share music with friends, play your favourite tapes to Christmas tree!
Have a great year ahead! We wish you love & good vibes!

~ sincerely yours, microphones in the the trees team ~ 

Saturday, December 03, 2016

matthew barlow




"A word on my process and overall concept when I was doing these “sound meditations”: Each one generally only had one track, and everything was improvised live and recorded in one take with no overdubs. Once the track was exported and posted online, the original master was deleted. This method was a practice of “calm abiding” with sound in the present moment, allowing what would arise to come and go. It wasn’t about creating a piece of music but rather about practicing a particular state of mind. It was one of my most freeing and rewarding experiences in making music, and I’m honored that it has been enjoyed by so many. This one is dedicated to the present moment and to the peace that can be found there provided we just listen. Very special thanks to Sounds of the Dawn, Steve Targo, and Kyle Landstra – without your inspiration, this music would not be possible." matthew barlow

“The heart surrenders everything to the present moment. The mind judges and holds back.” – Ram Dass


Sound Meditations by Matthew Barlow invites you to immerse yourself in the gentle flow of synth improvisations and field recordings. To still your mind and to open your heart to the present moment. Slowly the soothing sounds pass by in a fluent and organic way, going to a place where words lose their meaning and the music speaks for itself. It´s the feeling of apparent effortlessness and obvious natural beauty that makes this album an instant classic. More music by Matthew can be found here.




Thursday, October 20, 2016

channelers ~ video & album premiere



Each time I see the news from Inner Islands my days turns into a little celebration. The music this label releases resonates so deeply with my perception of the world, that it feels almost impossible. Of course there are always some space for interpretations and subjectiveness but some things don't need an explanation. They just emerge somewhere between the sounds, between the flips of the tape, in the soft humming of endless water streams shown in this amazing video which label's boss Sean Conrad shot in American deserts and over expanses of Iceland... When the beauty arises, it touches hearts directly, without need in words. That's why we love music so much - it can be pure beauty, without strict material form, just flow of vibrations from one soul to another. It needs just few instruments or voice to appear and an open ear to be heard.


 «Reverence for the cycles of life, for the ever-changing sky, for the yearning that drives one forward, for the acceptance
that keeps one still».
inner islands

On the different paths life makes through the space and time there are always cycles, seasons, changes which unfold like an endless spiral. With every new turn we may feel something like deja vu, considering the ability of our minds to forget everything quickly, to think in one dimension. To regain the experience of past cycles in the present, to make them significant and changing, we create rituals - may kinds of them. Starting from morning tea and social interactions and up to religions and annual celebrations. And once again our minds are failing, forgetting the meaning, flattening the experience... So the only way here is awareness, which unavoidably leads to self-invented ceremonies, practices, to the clear feeling of your own unique path. While listening to the music created by any of Sean Conrad's projects this feeling on the uniqueness appears with every album, showing the perception of the world, which may be shared, but at the same time remains thw whole in itself. Like any river is created by the thousands of streams, the Inner Islands is a bright torrent of personal world perceptions, created by many artists and Sean's ability to maintain that stream is amazing. There is a place for many forms and crossroad for many path, but still this unique universe of sound keeps its doors open for any resonating soul. And its essence is always changing, moving with the sun and moon, growing, unfolding... Archipelago of the tiny whirls of creative energy, forming something bigger and powerful than its part taken separately. Each album of Ashan or Channelers seems like a private ceremony, which concentrates the overall aura of Inner Islands. Gathering of winds and waters, celebration of new cycle, which begins with every new batch of sounds released to the world... It may seem unimportant, but this is the thing of such intimate creations - it becomes bigger, when you inside of it. Like gazing at the drop of water, which reflects the whole sky. Each song here is a drop. And each tiny moment of silence between them is the passage from the inner to the outer. It's simply fascinating.

Thursday, September 29, 2016

lunaria / tvvin_pinez_m4all



Second tape release at Sounds of The Dawn brings to the world a new masterpiece in the new age genre - an it's only a debut album, recorded by Daniel - a member of our blog's team. Listening to this tape is an immersion into the state of heightened sensitivity, when everything becomes brighter and clearer. It may sound as a cliche when it comes to ambient new age music, but I'm too assured in the fact that actually any music can do that if it has sincerity. There are nothing supernatural about the impact which music can do on our minds and we don't need scientific proofs for that - just an open-minded listening, which leaves analysis and criticism beyond the perception. Blissful tones of this music is a soft contradiction to the modern pop-music with its aggressive production. One may call it escapism, but then one should ask himself - where are you escaping when listening to radio hits? What is real? Which reality is true and everlasting, and which is just temporary construct of humanity's greed? Nature is all around us, but we mostly ignore it, building our own realities, first concrete and metal, then virtual... But when I go with this though further, while bathing in the crystal clear melodies and chimes of Lunaria, I realise that answer is already here - literally. On the tape cover. It says "all is dream" and duality of the meaning of the word "dream" makes the answer even clearer. There is no escapism. Global civilization, the Humankind, even Cyberspace - everything is Nature, part of our planet's evolutionary process. And this whole process is just a part of universal dream. Who dreams it? We all do, and by doing that we can make all kinds of things... And we do them, many different things, not always pleasant - saying "what the difference?". But when someone makes music like this, when someone listens to it and it makes one's dream a bit brighter and lucid - I can be only happy. And it makes a difference.

 


Colorful, growing plants are the key to livening up any interior décor. 

During the course of last year or two vaporwave has become much more structured genre, than it was at the beginning. To tell the truth, it was more like a joke, than a "real music" and some people still think that way. But even superficial acquaintance with everything vapowave-themed on Bandcamp brings so many sub-genres and variations, that no joke can have. Being 100% product of postmodernism, this music recycles long-forgotten tunes, giving them another perspective in the massive retromania, which overfilled music market nowadays. And by doing that, vaporwave shifts the perception towards images and situations that actually never existed. If you old enough to remember early 90s, you can feel the similarity in atmosphere and aesthetics, but there are still too many differences, which makes vaporwave-induced nostalgia no more than a postmodernist trick. And it tells a lot about the way we remember, think and perceive. Take this tape - typical, I'd even say classical vapowave album full of slowed disco tunes, ambient passages and late 80s new age reminiscences - but still none of these things in sum. It reminds me making collages of old magazines - you can put together some random parts from your mom's old knitting magazine, modern National Geographic and some last year's newspaper. Of course, you get some new picture, but what is more important - this picture transcends time, it brings everything in present moment, making it joyful. So what's the difference between music for plants, recorded by 80's new age artists and this tape? Only time - which is just an instrument for the artist, a way to make perspective, to give us a hint on our own head interior. Do you have any living plants there? I bet they'll love this tape, because it sounds damn chill and relaxing.

Saturday, September 17, 2016

matthew barlow / ashan


matthew barlow ~ hatha (inner islands, 2016)

«Just being, without striving. A place of stillness». inner islands

Focusing on sound healing practices, Matt Barlow took a vacation with his renowned Twin Springs Tapes label and started recording more and more music, which takes new turn in unfolding American New Age music. His latest tape for Inner Islands gives you not only the opportunity to relax and get nice background music for 30 minutes but also the possibility of deepest meditation on the nature of music. Combining simple drones with electronic melodies and contemplative flute playing, this tape reflects the idea, which I run through my haed so many times, while listening to some good ambient records - you don't need to be focused, to perceive everything in this flow of aural sensations, but at the same time, staying out any activity in mind and environment you actually start feeling everything so clearly! I think this state cannot be achieved by means of intentional focusing, so this state feels much more natural and I'm always so childishly happy when it happens. Of course, not only music can bring it, nature can too - bird songs, streaming water, whisper of the leaves... And you can actually hear and feel same energies in these two compositions. There is nothing supernatural about it, but still I have no other word than magic.

listen ~ buy tape
 

ashan ~ death is new life (heavy mess, 2016)

 «Sean Conrad (Channelers, Orra, Inner Islands) returns as Ashan with a collection of new songs exploring where the physical meets the spiritual and how the two influence and dialogue each other». heavy mess

For the new label run by Braeyden Jae (former boss of Inner Islands label), Sean Conrad (current Inner Islands mastermind) put an exclusive recording which brings to light new facet of his Ashan alias. Usually taking place somewhere far from city hum and electricity circuits, Ashan (almost) always was about instrumental psych-new-age jams, self-invented mantra singing and celebration of simple joys of life – this time Sean takes electric guitar, some distortion and drums, blending the rock music benefits with Ashan's usual sound. You already curious how it sounds? Okay, just hit play on Bandcamp and read further. And I'll continue playing this on repeat, each time wondering how same energy can take so many forms. This is obviously same Ashan I used to and behind all those walls of sounds, electronic drones, krautrock beats and psychedelic solos I hear same magic, that once entered this complicate world with "To Return To" album. Folk music can take many forms and I suppose that there is nothing hard for experienced artist as Mr. Conrad to transform his music into powerful rock outfit without losing primary inspiration. Actually this is fun synchronism between to friends putting softest side of Braeyden Jae's music at Inner Islands and heavier side of Ashan on Heavy Mess. Consider this as "anti-unplugged" album and simply enjoy it!

listen ~ buy tape

Wednesday, September 07, 2016

saåad ~ verdaillon



When it comes to drone music one may think "there is nothing special about it - just lonely guys making sounds with their laptops" and usually this is true. Of course, there are many bands using guitars or synths for this and it makes music a bit more interesting. But how about church organ? I don't know many drone albums with such source of sound - Razen, Anna Von Hausswolff, Charlemagne Palestine of course... But still not much. French duo Saåad is well-know to any drone maniac for their powerful, raw sound and this time it takes new turn on the spiral of their evolution. Using the organ of Church of Notre-Dame de la Dalbade along with the field recording made at the same place, they managed to recreate haunting ambiance of the times, when music was truly spiritual and served not just for entertainment. This approach makes sense in the modern world, full of music created almost for no reason - if only for fun, but just out of boredom, especially when it comes to ambient & drone... This album is not just excursion, it has ability to transport your mind into the places & states of transformation, of better feeling yourself and world around you. I'd say it has meditative qualities, but there is nothing new-agey about it. Just pure power of sound, energy of life, captured it the short moments of aural bliss.
  

Saturday, June 18, 2016

dugout canoe ~ over unity



«A 54 minute tapestry of transcendental motifs caterwauling fizzy manifestations hurled forth from the Unified Field. Professionally dubbed and duplicated blue-green glitter tape with printed art and full color J-card in a soft poly case». dugout canoe

Imagine Terry Riley playing some old video game and realizing that instead of actually playing it, he can play music with it. So he starts pushing all those buttons in a manner he does with electronic organ and the game becomes more and more chaotic, yet doesn't want to end anyway. At some point game gains awareness and transcends its own code, achieving digital enlightenment and disappearing from the physical plan... Now you get an idea how this tapes sounds, with the only difference that instead of Terry there is Jacob Isaacs behind the wheel and you may heard his tunes already in Bridgetown Records catalogue. Speed is really high, so all your attempts to analyse this music are doomed to vanish in abundance of 8-bit tunes, voice samples and rumbling drones somewhere deep beneath all of this. It may seem pretty hard-core, but actually this music has certain New Age and bright futuristic feeling about it, sounding like dynamic Osho meditation for cybernetic mind or minimal techno party for androids on the loose. Take Kara-Lis Coverdale and Giant Claw, let them dance, smoke few joints and flirt (only musically speaking, of course) and you'll get "Over Unity" in result. 

listen ~ buy tape 

PS: By the way, one of this album's perks is the fact that you can listen to it from any point, it works perfectly from any tape position and at any player / volume / speakers / headphones, etc. Just amazing! 

sister grotto ~ song for an unborn sun


sister grotto ~ song for an unborn sun (self-released, 2016)

I love when things happen right as they should. One may ask who knows how do I know the way they actually should happen, but I can't explain that, it's just a feeling. Something you realize just in the right moment. You know then that this is exact space-time point where you belong right know. Opening bandcamp page with new Sister Grotto album tonight was something usual for me, I just pressed play, made speakers louder and had some tea. And somewhere in the halfway it hit me right into the hearth. Looking at the distant trains passing by, watching red lights at the smokestacks... Peaceful air of white night, smell of trees after the rain, slow clouds above all of it and the moon sleeping on them. It seemed that music goes from everywhere, being just a part of all of this wonder, simply existing as the air itself. People sleeping in all those huge buildings and stars hiding behind this grey sky – they have so much in common. Sound of Madeline's guitar unfolds like fog, bringing peace and kind of protection. Her voice washes my thoughts away from shores of my mind. Peaceful melancholia of these melodies flies somewhere between my window and horizon bringing echoes of the day which ended so quietly. There will be noise and rumble again on these streets tomorrow, but while sun is unborn, I'll enjoy that feeling. Every single part of it, even if it brings tears to my eyes. 

listen ~ buy tape

Friday, June 17, 2016

rest easy, volume 1 by australian newborn label hi tide




Volume 1 of our 'Rest Easy' compilation series showcases eight relaxing tracks made by musicians living across the continent of Australia. Digital timbres are blended with field recordings and analogue tones, structured by circadian rhythms and fluid compositional trails to create a soothing, contemplative journey suited to long walks, kayaking and other easygoing activities; enjoy in loungerooms, libraries, hotsprings, bathhouses and anyplace easily softened by the sounds of the Ambient. hi tide

What do you need when the summer sun hides beneath the clouds? What do you want, when you sit by your window, watching rivers of the sky falling on the ground, making trees hum and asphalt wet? Yes, that's right, it's music! Something calm and warm, something so relaxing, that you will go up to the sky with the air, reaching the highest clouds to see the sun over them. Same sun that shine right now somewhere over the places you've never been, over the oceans you never touched, over the mountains you never climbed... Maybe right now it shines over Australia, where dozens of people read same blogs you enjoy, drink same kind of tea, seeing same dreams when sun goes down. There are many things which are universal, and probably music is the most universal (if I may say so) of them. Sharing their visions of life and their dreams, a group of highly talented artists joined for this compilation, which gives a very nice perspective on the present ambient music scene in Australia. Of course, we live in the global world now, we meet each other here, in the web – but there is always something special about such selections. I'd call it "a taste" of a place (and time!), which can be translated only by such lucid medium as music. Something you won't see in the tourist brochure or read in Wikipedia. I'm sure, Australians know things about relaxing but there is definitely something more about this compilation than just global laziness we all share. If I'll try explaining it further, magic will be gone. So just press the link already! And relax ~_~
 
listen ~ download ~ support

ps: Any money given for this album will be donated directly to Bush Heritage Australia, a conservation organisation protecting millions of hectares of ecologically important land and working in close partnership with traditional landowners.

Sunday, June 12, 2016

pandelindio & bird people



~ native american flute, mapuche ~


Federico Fossati _ Bamboo Clarinet, Phytagorean Harp, Bansuri, Native American Flute.
Corina Inveninato _ Bamboo Clarinet, Citarina, Tanpura
Alfredo Vidal drum and Chaska Voice on "La fuerza de la palabra"


Roy Culbertson III _ banjo, sruti box
Uli Rois _ banjo, sruti boxRéka Kutas _ cello
Tom Gaskell _ sitar
Ben Kingsbury _ electric guitar
Noamie Randall _ acoustic guitar
 

Sunday, June 05, 2016

rafi bookstaber




“We’d like to welcome back our old friend Rafi Bookstaber. It’s all good... the immediate thing I felt when I jammed his Late Summer for the first time was wanting to hug life, cosmic love in the underground. 

“This is a diff kind of human digitata, it’s sweet analog. You dig spring reverb, then maybe flesh it with sum Ra-fi. Pure jam. Extended solos and explorations go from downtown woodland discord and eternal reverie to Relatively Clean Rivers and beat earth poetics. Pretty darlin’ indeed...

“What a vapor trail of music; very groovy to see folks finally catching up to this head. Dawn of a new vibration out of his occult pedigree in so many spaced out earth objects (Death Chants / Aswara / Von Himmel / Mendocino). Bookstaber also logged golden hours with Time-Lag and that deep scene. The beginning of an ear and golden spirit juice. Mined private press vision with his own Azriel and Humito imprints, shucked handmades~there’s also his groove and howl with the wolfpack in the MV / EE axis. Oxide, preserves and records…Rafi hummed the music of maidens. Iron Maiden this is not, shipbuilding it sails, four sail and many years ago I was there, so was Rafi’s fi. You dig, apache? Find some wampum, blow a journey, be here now for Late Summer eternal...” Matt “MV” Valentine

Thursday, May 26, 2016

creation VI ~ everywhereness / omnipresence




«Listen to the spring!». pantheon

Quiet album of field recordings and bright impressions collected on different locations in Yaroslavl, Kyiv and Crimea. Small birds and crickets in the steppe, nightingales near Volga shore, soft rain over countryside field, summer bees in the flower garden and warm drones obtained from electric guitar, flutes and voices. Three tracks which would definitely please lovers of slow quiet drones – Celer, Hakobune, Chihei Hatakeyama, etc. Also suits very well for Chinese tea ceremony :) 

 

«...the river is everywhere at once, at the source and at the mouth, at the waterfall, at the ferry, at the rapids, in the sea, in the mountains, everywhere at once, and that there is only the present time for it, not the shadow of the past, not the shadow of the future» ~ Hermann Hesse, Siddhartha

Two tracks of hindustani raga inspired improvisational drone music performed with Chinese flute hulusi and Indian shruti-box (surpeti) along with some other instruments, effects and voices. Raga for midday sun in the greenwood, music of spring currents of the mighty Volga, song of birches, rushing sweet juice in its branches...


ps: both releases are available as one bundle with additional booklet, wrapped in handmade envelope and including download code for previous Creation VI release "Reminiscence" 

Wednesday, May 25, 2016

apenino & árbore


«Pilar se fue el 16 de noviembre de 2015, se fue tras 14 años juntos. medir la pegada emocional que eso supone es imposible. sólo el que tenga peludos y los ame como a un humano puede entenderlo. si ya no comes animales, como en mi caso, la cercanía emocional es intangible. desde el día uno he tenido miedo al adiós de Pilar, ese miedo ha sobrevolado como una nube cada uno de los días que compartimos vida». apenino & árbore

There is no such thing as happiness, when you lost someone. There can be a lot of things as emptiness, despair, anxiety, but happiness turns into abstract concept. Society will tell you a lot about death and how to deal with it, we have formulas and catchwords for every imaginable situation. But under the surface of dealing with pain it remains untouched – fear, uncomfortable feeling of change, that cannot be reversed... And it doesn't really matter who's missing in your life now. Animal can be the closest family member and if you ever lost one, you know what I'm talking about here. Maybe it's too sentimental but knowing that your animal will definitely live shorter life than you never helps to deal with their passing. And how beautiful when this feeling of loss transforms into art, into vivid memory, that will never disappear as easily, as human memory can do. Music is a very flexible material and anything can be projected onto it. As a water surface, it reflects things, but at the same time has its own deepness. And at some point it doesn't even matter what artist wanted from this tunes for himself – music always gives you more. In case of this wonderful 17-min track sound creates a beautiful picture of the sunny day, spent in happy laziness, just watching the game of light and shadows in you room. Wind gently touches curtains, bringing flower aromas with it. And beneath all of this you hear slow evolving drone, so similar to cat's purr...



p.d.: por primera vez no ponemos gratis la descarga, hemos pensado que el dinero que se recaude, tenga como destino ayudar a los gatos de la calle a través de la asociación Gatos en los Árboles.

Wednesday, April 27, 2016

paa annandalii ~ cavernous fruits



I always had deep respect to Robert's work, first of all because of Mohave Triangles – it was so huge and intense and dazed and trippy... No words to describe its magic, just pure joy for any drone-maniac! After long hiatus Paa Annandalii appeared, continuing synth-driven drone journey even deeper, through caverns of human mind – searching for pineal treasures, subconscious revelations and simply relaxing the listener to the state of all-pervading radiance. Which we all are, as a matter of fact! No new age philosophy needed to explain that, just look at everything from the quantum physics point of view. And don't forget that the act of observation itself has an impact on observed. So there is no "reality" behind music actually, and that's why we can't live without it. Music reminds us our nature, especially if it is truly continuous music, reduced to basic formula of intertwined frequencies, breathing inside one cluster of tones. Going that way we may feel disembodied, omnipresent energy, that fills everything without any border. Have you ever felt that? It's refreshing and inspiring, no matter how often you do it! I suppose this is the point from where this music radiates, waving its way to unknown... And you always welcome to join that ship.