microphones in the trees: dredd foole
Showing posts with label dredd foole. Show all posts
Showing posts with label dredd foole. Show all posts

Friday, September 21, 2012

dredd foole with mv & ee


"Blues Sermon With Congregation is basically a trio set, with Dredd Foole aka Dan Ireton on vocals and guitar backed by Matthew Valentine and Erika Elder in full-on Spectrasound head-fuck mode. Christina Carter also guests on one track, here credited as Christiina Madoniia.  Blues Sermon combines the kind of wood and wire vortices of Alan Silva and the Revolutionary Ensemble with those amazing post-Starsailor/Buckley vocal flights, keening in a high cosmo style that is just impossibly beautiful. With free folk the emphasis was always on the free part of the equation, an improvisatory stance that was lost on most beards but this is the absolute apex of that approach, think Robbie Basho’s spine-tingling take on “Salangadou” as played by Don Cherry’s Organic Music Society and with Pat Kilroy on form-destroying raga guitar and feedback visions. Matt & Erika generate some of their most F/X heavy sonic environments, Christina Carter ascends through visions of atonal vocal/guitar bliss and the trio rip through a take on Robert Johnson’s “Stones In My Pathway” that sounds like it is being broadcast over centuries via Sun Ra’s vision of tomorrow in yesterday. A stunning avant/folk/psych private press masterpiece in an edition of only 400 copies. Highest possible recommendation!" volcanic tongue

creo que a partir de ahora, cuando lea la palabra 'spectrasound' inmediatamente pensaré en 'blues sermon with congregation' y especialmente en el hechizo hecho canción llamado 'oro is god', cuya chriistina madoniia no es otra que nuestra querida christina carter. es tan fácil entender el entusiasmo de david keenan y heather leigh murray y que sea 'tip of the tongue' y tan difícil explicar el porqué... blues sermon no es ese 'otro' disco de mv & ee, es folk espectral de la pradera extraído directamente de las raíces de child of microtones, jazz, blues pantanoso, avant, experimental y tradicional, demasiado 'demasiado' para poder describirlo. sólo puedo recomendar de corazón este encuentro casi fantasmal entre dredd foole, erika elder, matt valentine y christina carter, que, a pesar de no ser un disco fácil, es de los que hace honor al tópico y consigue que cada nueva escucha sea un descubrimiento de nuevas sensaciones, tan creativo y rico en matices como clásico y fascinante. todo encaja a la perfección en un encuentro improvisado y lleno de misterio en el que sólo faltaría otro ser de otro mundo para que fuera más que perfecto: keijo virtanen y sus rambling boys. y además está editado en humito, el sello de rafi bookstaber.

out of stock ~ download

Friday, August 01, 2008

dredd foole

"For over 30 years troubadour wailer Dan Ireton, aka Dredd Foole, has called upon the spirit of 78 shellac blues n' psychedelic Stooges n' Velvets to fuel his guttural, pure soul ethos of the song. Whether solo or leading mass, Foole hints at the classic forms of Blood On The Tracks and the celestial fug of Sun Ra's third-eye vision to create an approach untraveled yet increasingly influential (see: Six Organs of Admittance, Sunburned Hand of the Man).

Produced in multi-dimensional spectrasound by Matt Valentine, Kissing The Contemporary Bliss spans 50 miles of elbow room and kicks up the most outward bound and staggering approaches to Gus Cannon's "Walk Right In" and Robert Johnson's "Stones In My Passway" while offering ear-popping originals colored by Erika Elder's jug blowin' and Coot Moon's ecstatic, reverb dosed banjo. You'll hear nothing like this in 2008 or beyond.." family vineyard

 cd1 & cd2