microphones in the trees: parker yates
Showing posts with label parker yates. Show all posts
Showing posts with label parker yates. Show all posts

Friday, April 13, 2012

lasso | grizzly prospector


"incredibly refreshing lo-fi country music out of Kalamazoo. layers of reverb and haunting vocals give this a psychedelic vibe that seems pretty hard to come across within such a streamlined genre." ongakubaka

"Lasso is the brainchild of Andy Catlin. this recording is very lo-fi, the songs are buried beneath mountains of fuzz and reverb; it sounds like something recorded through the wall of some backwards saloon, where spaghetti-western guitar licks and ragtime piano are right at place next to laptops and warped vocals. Catlin’s nasally singing voice is often obfuscated by an effects filter and the lo-fi touches, and weird ghostly sounds creep into the tracks without warning." mostly midwest




demos and outtakes from the unrealized "cycles".

"a wonderful collection of lo-fi, warm, intimate songs. imagine an old time miner stuck in a small shed during the harsh winter months in a run down gold mine long abandoned by all the other miners, writing songs of long lost loves & losses." victory rose

"I hesitate to call what I do folk music. traditional folk is very structured, and what I do is certainly not" parker yates~grizzly prospector



"debut treat and admittedly, a little on the soft side." parker yates~grizzly prospector

that's me, the grizzmibee!

Sunday, November 22, 2009

grizzly prospector

"...I don't know much about Parker Yates, the man behind the grizz, but I do know there is something about his short, simple songs that grab me with a fragile, tangible grasp for the few minutes they are on. Recorded with a decided lo-fi approach, Grizzly Prospector wraps his short, sweet tunes, and his fragile yet assuringly confident voice in a thin sheen of tape hiss that sounds like an old 45 you saved from your Grandmothers estate sale. I suppose this is the aesthetic he is going for on Old Mountain Radio, tiny depression-era folk songs about love, mountain men, grizzly bears, and a kindly old narrator who introduces the album with an inexplicable cajun accent. Bookmarking each end of the album is a spoken word piece titled "Bare Hands/Bear Hands" that seems to begin and end the journey of loss, love, and discovery on this little disc that clocks in at just under 24 minutes. Stand out tracks include "Medley" and "True Love will Find You in the End" which include some of the best strummed guitars & voice I have heard all year..." tome to the weaher machine

quería escribir algo bonito sobre este disco pero sólo puedo dar las gracias. además se puede descargar gratis aquí. medley, child's prayer, true love will find you in the end... en repeat