microphones in the trees: volcanic tongue
Showing posts with label volcanic tongue. Show all posts
Showing posts with label volcanic tongue. Show all posts

Sunday, June 17, 2012

tom carter appeal



"17 June 2012: While on a tour of Europe with Charalambides, Tom Carter was hospitalized in Berlin, Germany and has been in intensive care for over two weeks. He is currently being treated for serious complications of pneumonia. At this time, there remain many uncertainties regarding his condition, which continues to be variable and evolving. Hospitalization and a projected recovery could last at a minimum many weeks and possibly months.

The consideration and support that has already been expressed, during this time, is of great comfort to Tom’s family.

Many concerned individuals have asked about sending cards and flowers, all of which is greatly appreciated. However, the intensive care unit is not equipped to accommodate gifts. We will be sure to let everyone know if and when the hospital is able to do so. Additionally, Tom is currently unable to receive phone calls or visitors. Many individuals have also inquired as to what other assistance they can provide. Due to the severity of Tom’s illness, his hospitalization away from home, and the projection of a possible prolonged recovery, Tom and his family will certainly incur a more than significant financial burden. There will be medical bills as well as possible travel and housing expenses. It is thought that a considerable portion, if not all, of Tom’s recovery must take place in Berlin. 

A fund is being established to receive donations to offset these costs. Information on how to contribute will follow as soon as it is available. Tom Carter’s generosity and modesty as a musician and friend, coupled with his dedication to a vision of spiritual music as transformative force, provides us all with a rare example of creative and personal possibilities intertwined. Let us keep Tom, whom we cherish, in our thoughts and attune our minds to his full recovery.
Please forward this notice to anyone who may be concerned. We will post updates here as more information becomes available. 

Volcanic Tongue is donating all proceeds from sales of Charalambides and Tom Carter and Christina Carter releases to Tom Carter and his family. Blackest Rainbow Recordings have also very generously offered all their available releases to VT with all proceeds going direct to Tom’s fund. Click the links below to browse all the releases that are part of the appeal." volcanic tongue

Wednesday, January 31, 2007

dream/aktion unit

dream/aktion unit - blood shadow rampage (volcanic tongue, 2006)

"Volcanic Tongue is proud to present the first ever release by the Dream/Aktion Unit, a free-thinking avant garage Ur-kestra based around the central kernel of guitarist Thurston Moore (Sonic Youth), saxophonist Paul Flaherty and drummer Chris Corsano (Six Organs Of Admittance, Sunburned Hand Of The Man et al) and featuring Heather Leigh Murray (Taurpis Tula/Jandek/Charalambides) on pedal steel and vocals and Matt Heyner (No-Neck Blues Band/Test/Angelblood) on upright bass.

The Dream/Aktion Unit were originally birthed as a side-project to allow Thurston Moore and Jim O’Rourke to fully explore the kind of ecstatic power blues that their work in Sonic Youth repeatedly implied. The addition of legendary New England saxophonist Paul Flaherty and powerhouse drummer Chris Corsano provided them with an umbilical connection straight to the source of modern musical freedom, while working to liberate them from previously articulated modes of known rock-speak. As a quartet, the group tore through a bunch of the USA’s most winning festival spaces - their ground-levelling F/X pedal assault at the De Stijl/Freedom FromParticular mention must be made of the classic horror artwork, courtesy of Karen Constance (Blood Stereo). An Edgar Allan Poe short story come to life, the images and the gore-filled track titles (my particular favourite being “Here Come the Fucking Dead”) compliment the unearthly sonics contained on disc. “Blood Shadow Rampage” is a prime example of what the commercial music industry is lacking: exquisite packaging, originality, and good fucking music! 9/10 bash in Minneapolis in 2003 being a particular landmark - with both guitarists drawing creative sustenance from the kind of ego-obliterating drums/horn interaction previously articulated by players like The Reverend Frank Wright, Glenn Spearman, Denis Charles and Albert Ayler..." volcanic tongue
"Particular mention must be made of the classic horror artwork, courtesy of Karen Constance (Blood Stereo). An Edgar Allan Poe short story come to life, the images and the gore-filled track titles (my particular favourite being “Here Come the Fucking Dead”) compliment the unearthly sonics contained on disc. “Blood Shadow Rampage” is a prime example of what the commercial music industry is lacking: exquisite packaging, originality, and good fucking music! 9/10" foxy digitalis
"...grabado en vivo en escocia durante el 2005, "blood shadow rampage" es un esfuerzo forjado a punta de destrucción de acordes de guitarra, pérfidas líneas de saxo y baterías a destiempo. existe una suerte de naturaleza destructiva que lo hace un disco lleno de agudismos y chillidos que simulan una mente rabiosa en plena explosión delirante. muy en los momentos explosivos y desbordados de henry cow o glenn branca. todo coronado con nombres como 'el nacimiento del enjendro', 'aquí viene la maldita/puta muerte', 'enterrado vivo y disfrutándolo', etc. no es difícil imaginarse a donde va todo. riéndose de la muerte a través de la experimentación y enseñándole a toda una legión de metaleros que se puede hacer música brutal, sin utilizar si quiera un mísero riff de guitarra. sin embargo, la cacofonía es solo la forma superficial de un núcleo de improvisación bastante consistente. la soltura con que interactúan los instrumentos siempre fluye creando un sostenido diálogo que hace que el disco ya termine cuando recién quedaba mucho por disfrutarlo. destaca ciertamente el trabajo de flaherty en los vientos, que de cierta forma, es el protagonista conductor de estas siete piezas abrasivas, chillonas y fantasmagóricas al cohesionar todo el ritual drónico-apocalíptico que envuelve y caracteriza al disco..." no-wave!
thurston moore guitar
paul flaherty alto saxophone
chris corsano drums
count heinowski contrabass
heather leigh murray pedal steel guitar